1 00:00:04,120 --> 00:00:06,922 - Maybe I am inert. - Oh, Jesus. 2 00:00:07,360 --> 00:00:09,071 - You're not. - Maybe I am. 3 00:00:09,141 --> 00:00:10,136 Why? 4 00:00:10,160 --> 00:00:11,903 Cos I move through 5 00:00:12,368 --> 00:00:14,321 time like a dust mote... 6 00:00:15,788 --> 00:00:17,748 floating. I'm present... 7 00:00:18,595 --> 00:00:19,834 but I'm not really there. 8 00:00:19,879 --> 00:00:23,067 When did these conversations become so poetic? 9 00:00:23,160 --> 00:00:25,415 I'm just afraid of becoming invisible. 10 00:00:25,456 --> 00:00:27,531 I'm afraid of glass... 11 00:00:27,873 --> 00:00:30,273 and electricity. 12 00:00:30,600 --> 00:00:31,464 OK. 13 00:00:31,503 --> 00:00:34,464 So obviously light bulbs are a no-no. 14 00:00:35,105 --> 00:00:36,867 - Right. - And dying. 15 00:00:37,138 --> 00:00:38,138 Sure. 16 00:00:40,480 --> 00:00:42,679 Oh, this quiet is not good for me. 17 00:00:42,680 --> 00:00:44,097 You should see a therapist. 18 00:00:44,200 --> 00:00:45,399 I've got you. 19 00:00:45,455 --> 00:00:46,828 I've been struck off. 20 00:00:46,907 --> 00:00:47,978 Have you? Why? 21 00:00:48,024 --> 00:00:48,925 Gross incompetence. 22 00:00:48,972 --> 00:00:50,910 Well, not before time. 23 00:00:51,218 --> 00:00:53,726 Yeah. You know, you have seemed a little bit more... 24 00:00:55,368 --> 00:00:57,810 Introspective recently. 25 00:00:57,920 --> 00:00:59,799 - Have I? - I mean, don't get me wrong, 26 00:00:59,800 --> 00:01:02,759 you have always thoroughly enjoyed talking about yourself. 27 00:01:02,760 --> 00:01:03,970 There's a lot to say. 28 00:01:04,022 --> 00:01:07,361 But you've started seeming a bit... 29 00:01:08,201 --> 00:01:09,362 What? 30 00:01:09,720 --> 00:01:10,931 A little... 31 00:01:10,985 --> 00:01:11,985 Yeah? 32 00:01:12,200 --> 00:01:14,286 - Boring. - Boring?! 33 00:01:14,332 --> 00:01:15,205 Tedious. 34 00:01:15,259 --> 00:01:17,359 Ah, now you're just throwing around hurtful comments. 35 00:01:17,360 --> 00:01:19,779 - Needy! - Just cos you won't listen... 36 00:01:21,207 --> 00:01:23,196 I do nothing 37 00:01:23,383 --> 00:01:24,536 but listen. 38 00:01:24,583 --> 00:01:26,656 That is literally all I do, 39 00:01:26,695 --> 00:01:28,301 every minute of every day... 40 00:01:28,712 --> 00:01:30,592 My thoughts are interesting. 41 00:01:30,631 --> 00:01:31,456 To you. 42 00:01:31,480 --> 00:01:33,439 I am a public intellectual. 43 00:01:33,440 --> 00:01:35,283 By what standard?! 44 00:01:35,400 --> 00:01:38,180 I was Dictionary Corner on Countdown 45 00:01:38,243 --> 00:01:39,655 on two occasions! 46 00:01:42,480 --> 00:01:43,990 I'm just going through something! 47 00:01:44,592 --> 00:01:46,164 I have got to go. 48 00:01:46,187 --> 00:01:47,181 What, already?! 49 00:01:47,252 --> 00:01:48,550 Yeah, oh, sorry. Time's up. 50 00:01:48,612 --> 00:01:49,921 I've only had 40 minutes. 51 00:01:49,976 --> 00:01:51,403 Yeah, well, I've got another call. 52 00:01:51,489 --> 00:01:52,974 - With who? - New York. 53 00:01:54,063 --> 00:01:55,119 Oh, wedding stuff. 54 00:01:55,120 --> 00:01:56,583 Wedding stuff! 55 00:01:57,040 --> 00:01:58,279 I've never been a best man. 56 00:01:58,280 --> 00:02:00,200 Oh, Jesus. 57 00:02:00,654 --> 00:02:03,862 www.subtitulamos.tv 58 00:02:03,979 --> 00:02:05,239 So, I know that we joke about it, 59 00:02:05,240 --> 00:02:07,399 and about how much of it was improvised, 60 00:02:07,400 --> 00:02:09,799 and I enjoy that as much as everybody else. 61 00:02:09,800 --> 00:02:11,860 - It's a funny joke, but... - Would you say 30%? 62 00:02:11,920 --> 00:02:13,679 - 30? - At least. 63 00:02:13,764 --> 00:02:15,081 Ten at most. 64 00:02:16,440 --> 00:02:18,369 I mean, 25. 65 00:02:18,480 --> 00:02:19,639 This is not a negotiation. 66 00:02:19,640 --> 00:02:21,519 And the Hamlet stuff, that was definitely me. 67 00:02:21,520 --> 00:02:23,999 - Two, four, six, eight, moot away. - Yeah. 68 00:02:24,000 --> 00:02:26,879 The having the mug in-shot, that was all me. 69 00:02:26,880 --> 00:02:28,575 Fucking disco. 70 00:02:29,760 --> 00:02:31,288 Well, that whole bit, wasn't it? 71 00:02:31,327 --> 00:02:33,359 That was the whole bit, the whole being on set bit. 72 00:02:33,360 --> 00:02:35,716 Oh, God. Yeah. I mean, I find it difficult 73 00:02:35,763 --> 00:02:37,519 to remember anything that was scripted. 74 00:02:37,520 --> 00:02:39,809 It's the... I mean, regardless of the percentage, 75 00:02:39,834 --> 00:02:41,999 it's the improv that zings! 76 00:02:42,000 --> 00:02:44,159 Cos all the bits that people talk about... 77 00:02:44,160 --> 00:02:45,126 Muppet dance. 78 00:02:45,385 --> 00:02:47,245 Yeah. We could have done without the Muppet dance. 79 00:02:47,278 --> 00:02:49,706 People love that. There are memes of that everywhere. 80 00:02:49,760 --> 00:02:51,939 So, irrespective of the percentage... 81 00:02:52,635 --> 00:02:54,258 - 10%. - we contributed 82 00:02:54,515 --> 00:02:56,091 a significant amount. 83 00:02:56,120 --> 00:02:57,294 But I wrote it! 84 00:02:57,360 --> 00:03:00,199 I wrote it, I sat down at a computer, this one, 85 00:03:00,200 --> 00:03:02,837 and I typed the whole thing out. 86 00:03:02,884 --> 00:03:03,776 It took weeks! 87 00:03:03,800 --> 00:03:05,621 Yeah. And we improved it 88 00:03:06,104 --> 00:03:07,312 immediately. 89 00:03:07,396 --> 00:03:08,436 Bang! 90 00:03:11,212 --> 00:03:11,998 So... 91 00:03:12,355 --> 00:03:15,652 So, the other Davids and Michaels have been reading the script 92 00:03:16,000 --> 00:03:18,321 and they're requesting changes. They've got notes... 93 00:03:18,346 --> 00:03:19,998 - OK. - but I'm not allowed 94 00:03:20,029 --> 00:03:21,330 to be a part of those conversations, 95 00:03:21,354 --> 00:03:23,716 because people don't think that I had anything to do with it. 96 00:03:23,741 --> 00:03:25,242 - Why not? - Because that's what you told them. 97 00:03:25,267 --> 00:03:26,959 You told them I didn't write it. You said that. 98 00:03:26,960 --> 00:03:29,202 - When? - All the time in all the interviews! 99 00:03:29,272 --> 00:03:33,079 We gave you full credit in those interviews. 100 00:03:33,080 --> 00:03:35,044 - Full credit? - Credit. 101 00:03:35,738 --> 00:03:37,959 So, I know you're reading with the other Davids and Michaels today. 102 00:03:37,960 --> 00:03:40,599 We are. Yeah, I'm reading with the Michaels. 103 00:03:40,647 --> 00:03:42,467 And I am reading with the Davids. 104 00:03:42,529 --> 00:03:44,279 Yeah, I'm sorry that will be boring for you, Michael. 105 00:03:44,280 --> 00:03:45,516 Well, I'll get through it somehow. 106 00:03:45,555 --> 00:03:47,747 So could I ask a favour, 107 00:03:47,794 --> 00:03:49,414 could you try and find out what their notes are, 108 00:03:49,439 --> 00:03:51,037 - what their thoughts are? - I suppose. 109 00:03:51,162 --> 00:03:52,162 Thank you. 110 00:03:52,280 --> 00:03:53,671 And maybe even just... 111 00:03:54,577 --> 00:03:55,776 talk me up a bit. 112 00:03:56,548 --> 00:03:57,688 Talk you up? 113 00:03:58,000 --> 00:03:59,799 I mean, we're doing this under sufferance. 114 00:03:59,800 --> 00:04:02,119 This is, you know, this is a punishment for us. 115 00:04:02,120 --> 00:04:04,119 Yeah, this is our community service. 116 00:04:04,120 --> 00:04:05,622 I'm not asking you to lie for me. 117 00:04:07,440 --> 00:04:09,784 Oh, you're not asking us to lie, so... 118 00:04:10,080 --> 00:04:13,600 So what are you asking from us, then, Simon? 119 00:04:16,267 --> 00:04:17,553 Just... 120 00:04:18,405 --> 00:04:19,921 tell them I wrote it. 121 00:04:22,505 --> 00:04:23,390 I don't like it. 122 00:04:23,492 --> 00:04:25,329 Well, Simon Evans wrote it. 123 00:04:26,960 --> 00:04:28,801 - I don't think I want to do it. - Right. 124 00:04:28,840 --> 00:04:30,998 I'll read it, but I have my concerns. 125 00:04:31,080 --> 00:04:31,950 Like what? 126 00:04:32,051 --> 00:04:33,981 - Feels cruel. - Cruel? 127 00:04:36,320 --> 00:04:38,180 Unbarmherzig. 128 00:04:38,280 --> 00:04:40,479 What does that mean exactly? 129 00:04:40,611 --> 00:04:42,266 - Merciless, - Yes. 130 00:04:42,430 --> 00:04:44,006 remorseless, 131 00:04:44,685 --> 00:04:45,847 pitiless... 132 00:04:46,087 --> 00:04:47,901 - Oh, it's supposed to be funny. - It's not. 133 00:04:48,478 --> 00:04:50,535 - No? OK. - It's acrid. 134 00:04:53,680 --> 00:04:55,242 - Should we read a bit? - Sure! 135 00:04:55,272 --> 00:04:56,176 OK. 136 00:04:56,744 --> 00:04:59,054 Um, so it's the scene where we're looking down 137 00:04:59,774 --> 00:05:01,655 a series of photographs, I'm going to choose one 138 00:05:01,680 --> 00:05:03,125 and I'm calling out the numbers. 139 00:05:03,141 --> 00:05:04,727 I'll go from the top of the page. 140 00:05:05,000 --> 00:05:07,203 "What about two, one, four, five?" 141 00:05:08,480 --> 00:05:10,919 - "Is that make-up?" - "I put on a little foundation." 142 00:05:10,983 --> 00:05:12,705 - "You look pox-ridden." 143 00:05:12,728 --> 00:05:13,656 "I do not!" 144 00:05:13,680 --> 00:05:16,319 "Why do you always do that thing with your mouth?" 145 00:05:16,320 --> 00:05:18,461 - What thing? - "It's just a straight line 146 00:05:18,523 --> 00:05:19,849 across your face." 147 00:05:21,641 --> 00:05:22,920 "You look just like a Muppet." 148 00:05:22,960 --> 00:05:24,999 "Well, your smile is a straight line too." 149 00:05:25,000 --> 00:05:26,399 "But I've got a twinkle in my eye." 150 00:05:26,400 --> 00:05:27,599 I have a twinkle in my eyes! 151 00:05:27,600 --> 00:05:29,239 - "Your eyes tire." - Tire?! 152 00:05:29,240 --> 00:05:31,639 - "Like a low-impact Gorgon." - Oh, fuck you. 153 00:05:31,640 --> 00:05:32,719 See what I mean? 154 00:05:32,720 --> 00:05:35,359 I mean, I just want to make sure I don't get oversensitive. 155 00:05:35,360 --> 00:05:37,439 - Ah, this is bullshit! - You should calm down. 156 00:05:37,440 --> 00:05:40,030 Oh, why? Because when I get emotional, I sound cartoonish? 157 00:05:40,061 --> 00:05:41,199 Oh, I've heard that too. 158 00:05:41,200 --> 00:05:43,015 Look, I wrote a scene today where I took a shit 159 00:05:43,069 --> 00:05:45,996 from a high height on your big, stupid, Welsh, hairy head! 160 00:05:46,115 --> 00:05:48,115 OK, good, good. 161 00:05:49,640 --> 00:05:51,683 I mean, I've got nothing to say. 162 00:05:51,721 --> 00:05:54,799 Have you got any questions or anything I can help with or...? 163 00:05:54,800 --> 00:05:56,159 The... Your writer. 164 00:05:56,160 --> 00:05:58,719 The writer is Simon Evans. 165 00:05:58,720 --> 00:06:01,359 - Is he, like, anti-Scottish? - I don't think so. 166 00:06:01,360 --> 00:06:03,839 David is just always whining. 167 00:06:03,840 --> 00:06:06,453 I don't think it was meant as like a cultural comment. 168 00:06:06,515 --> 00:06:08,856 He can't be like that, though, David, 169 00:06:08,903 --> 00:06:10,469 in real life. Can he? 170 00:06:12,360 --> 00:06:14,256 He calls me cartoonish later. 171 00:06:14,318 --> 00:06:16,554 Michael's a cartoonish character. 172 00:06:16,640 --> 00:06:18,874 He should have a shark tank in his basement, 173 00:06:18,968 --> 00:06:20,692 a castle in a volcano. 174 00:06:20,746 --> 00:06:22,705 I've done enough of both of them. 175 00:06:22,800 --> 00:06:24,026 Yeah, trust me. 176 00:06:25,680 --> 00:06:27,224 - Listen to me. - Yeah? 177 00:06:27,411 --> 00:06:29,219 Whatever they say, 178 00:06:29,320 --> 00:06:31,222 Michael's a paper doll. 179 00:06:31,283 --> 00:06:34,030 He's a lazy stereotype. 180 00:06:34,296 --> 00:06:36,394 - David's the real person. - Yes. 181 00:06:36,535 --> 00:06:37,714 Yes, actually. 182 00:06:37,761 --> 00:06:38,839 David is the real person. 183 00:06:38,840 --> 00:06:40,607 With real struggles! 184 00:06:40,760 --> 00:06:42,958 He's trying to connect. 185 00:06:43,144 --> 00:06:44,879 Yes, he is trying to connect! 186 00:06:44,880 --> 00:06:48,119 Across distance, strange technology, 187 00:06:48,120 --> 00:06:50,863 just trying to speak and be heard. 188 00:06:50,888 --> 00:06:52,959 Yeah, Michael just keeps shutting him down. 189 00:06:52,960 --> 00:06:54,885 - It's sociopathic. - Yeah. 190 00:06:54,916 --> 00:06:56,576 I'd never thought about that before. 191 00:06:56,600 --> 00:06:58,479 Do you think I sound cartoonish? 192 00:06:58,480 --> 00:07:01,281 Have you ever tried a thing called actioning? 193 00:07:01,488 --> 00:07:03,047 No. No, I don't think so. No. 194 00:07:03,080 --> 00:07:06,622 You work out what your character's action is 195 00:07:06,969 --> 00:07:08,114 on every line, 196 00:07:08,160 --> 00:07:09,639 like what he or she is doing. 197 00:07:09,640 --> 00:07:11,420 If it can bring this more alive, 198 00:07:11,451 --> 00:07:13,051 - then let's try. - OK. 199 00:07:13,120 --> 00:07:14,619 So, just, let's try the... 200 00:07:14,666 --> 00:07:17,985 Have you got the scene that begins with David putting his hand up? 201 00:07:18,080 --> 00:07:19,152 - You know that one? - Yeah, yeah. 202 00:07:19,191 --> 00:07:20,376 I'll be, I'm Joe. 203 00:07:20,400 --> 00:07:21,644 - So... - OK. 204 00:07:21,777 --> 00:07:22,787 David. 205 00:07:23,202 --> 00:07:24,976 "Michaels being insufferable!" 206 00:07:25,000 --> 00:07:26,112 Right, great, so... 207 00:07:26,539 --> 00:07:29,677 so what's, what's David trying to do there? 208 00:07:30,011 --> 00:07:31,211 Whine. 209 00:07:34,120 --> 00:07:36,919 It's, it's sort of better if you think of it in terms of 210 00:07:36,944 --> 00:07:40,691 what he's trying to do to the other character. 211 00:07:41,880 --> 00:07:43,080 OK, oh, right. 212 00:07:43,173 --> 00:07:45,551 So, what's he trying to do to Michael? 213 00:07:47,715 --> 00:07:49,075 To whine at him. 214 00:07:49,720 --> 00:07:50,827 OK. 215 00:07:52,280 --> 00:07:53,728 Yeah, OK, let's just... 216 00:07:53,814 --> 00:07:55,206 - Yeah? - Carry on? Let's do... 217 00:07:55,260 --> 00:07:56,192 Do you want to do another bit? 218 00:07:56,254 --> 00:07:58,045 - Yeah. - What have you got? Have you got something else there? 219 00:07:58,170 --> 00:08:00,093 "Please, please, please!" 220 00:08:00,160 --> 00:08:01,569 So what's he trying to do there? 221 00:08:01,800 --> 00:08:04,614 Desecrate the memory of Robert the fucking Bruce. 222 00:08:09,000 --> 00:08:10,999 When are we filming? 223 00:08:11,000 --> 00:08:13,079 It has to be ready a fortnight today. 224 00:08:13,080 --> 00:08:15,408 - I'm available. - Me too. 225 00:08:15,520 --> 00:08:17,424 - It's just an online thing. - Great. 226 00:08:17,541 --> 00:08:19,404 Just like some sketches 227 00:08:19,436 --> 00:08:20,859 and a celebrity auction. 228 00:08:20,920 --> 00:08:22,600 I have so much time. 229 00:08:23,640 --> 00:08:24,971 So much time. 230 00:08:25,320 --> 00:08:27,122 I snapped at David earlier. 231 00:08:27,320 --> 00:08:29,772 - Why? How come? - He did a thing. 232 00:08:30,320 --> 00:08:31,835 Yeah, Michael's struggling too. 233 00:08:31,893 --> 00:08:32,835 In what way? 234 00:08:32,897 --> 00:08:34,681 He's not sleeping very well. 235 00:08:34,960 --> 00:08:36,243 David's grinding his teeth. 236 00:08:36,251 --> 00:08:37,456 Michael's getting headaches. 237 00:08:37,480 --> 00:08:38,748 Do you have any idea why? 238 00:08:38,800 --> 00:08:40,300 He wants to feel mobile, 239 00:08:40,800 --> 00:08:42,399 he wants to go to New York with me, 240 00:08:42,426 --> 00:08:44,349 he wants to hug people, 241 00:08:44,457 --> 00:08:45,576 raise a glass, 242 00:08:45,680 --> 00:08:47,519 lift Lyra up and show her off. 243 00:08:47,520 --> 00:08:48,883 Does he talk to anyone? 244 00:08:48,960 --> 00:08:50,808 - A therapist? - Yeah, maybe. 245 00:08:50,880 --> 00:08:52,079 Talks to David. 246 00:08:52,080 --> 00:08:54,619 I suppose it's good that they have each other, 247 00:08:55,009 --> 00:08:56,137 isn't it? 248 00:08:59,480 --> 00:09:01,732 Well, David is a little two-dimensional. 249 00:09:01,800 --> 00:09:04,064 That's... He's fine. It's the Michael character, really. 250 00:09:04,160 --> 00:09:06,799 - Really, you think? - Yeah, yeah, yeah, that's what we find. 251 00:09:06,800 --> 00:09:08,672 No, he strikes me as quite rich, 252 00:09:08,726 --> 00:09:10,457 sort of quite textured. 253 00:09:11,960 --> 00:09:13,206 Really? 254 00:09:13,560 --> 00:09:15,535 You know, improvisation's key. 255 00:09:16,509 --> 00:09:17,949 Um... It's just listening. 256 00:09:18,160 --> 00:09:19,410 Right, OK. 257 00:09:19,640 --> 00:09:20,841 Listening and responding. 258 00:09:20,997 --> 00:09:22,732 But you expect me to be funny. 259 00:09:22,855 --> 00:09:24,038 Ideally, yeah. 260 00:09:24,163 --> 00:09:26,160 - Do you know what, I'm just, I'm just 261 00:09:26,442 --> 00:09:27,888 more comfortable with the script. 262 00:09:27,927 --> 00:09:29,919 Well, it's just that that's the way we made it work before. 263 00:09:29,920 --> 00:09:31,819 Well, sure, but, you know, Simon, 264 00:09:31,880 --> 00:09:34,439 Simon Evans has sent me a script, so... 265 00:09:34,440 --> 00:09:36,054 Yeah, yeah, but, you know, 266 00:09:37,117 --> 00:09:39,369 what is written down is just like a skeleton 267 00:09:39,408 --> 00:09:40,553 that we then build on. 268 00:09:40,615 --> 00:09:41,527 Right. 269 00:09:41,640 --> 00:09:43,104 Nuance is key. 270 00:09:43,419 --> 00:09:45,339 You said improvisation was key. 271 00:09:46,398 --> 00:09:47,718 Different keys. 272 00:09:48,723 --> 00:09:49,673 OK. 273 00:09:50,055 --> 00:09:51,334 Is that a banister? 274 00:09:52,203 --> 00:09:52,930 Yeah. 275 00:09:52,961 --> 00:09:54,603 You're sitting at the bottom of the stairs? 276 00:09:54,680 --> 00:09:56,839 Yeah, it's just easier cos there's lights down here. 277 00:09:56,840 --> 00:09:58,799 It's just, just... Yeah, it's fine. 278 00:09:58,800 --> 00:10:01,759 I've never seen inside your house. I thought it'd be classier. 279 00:10:01,760 --> 00:10:03,559 Yeah, yeah. It's just quite old, David. 280 00:10:03,560 --> 00:10:04,953 What is it made of? 281 00:10:05,120 --> 00:10:06,492 It's actually plastic. 282 00:10:06,625 --> 00:10:07,625 Is it? 283 00:10:07,840 --> 00:10:09,324 I'm ready when you are. 284 00:10:09,788 --> 00:10:11,868 Wouldn't get away with that in Downton, would you? 285 00:10:13,558 --> 00:10:14,998 Should we read some? 286 00:10:16,854 --> 00:10:17,919 Oh, OK. 287 00:10:17,920 --> 00:10:19,880 And Ken Jeong, 288 00:10:20,040 --> 00:10:22,848 you have my CV and... 289 00:10:30,000 --> 00:10:31,485 I am David. 290 00:10:31,560 --> 00:10:32,880 I am an asshole. 291 00:10:41,800 --> 00:10:43,640 Michael's being insufferable. 292 00:10:47,240 --> 00:10:48,674 You look pox-ridden. 293 00:10:48,800 --> 00:10:50,671 Can you try a different... 294 00:10:50,999 --> 00:10:52,671 - flavour? - Yeah, yeah. 295 00:10:52,702 --> 00:10:54,479 Find something kinder. 296 00:10:54,480 --> 00:10:57,504 Yeah, so just like a kinder tone 297 00:10:57,621 --> 00:10:59,332 - in the line. - No, no, no. 298 00:10:59,680 --> 00:11:01,423 Put something in that's kinder. 299 00:11:03,640 --> 00:11:05,639 - Let's start again, I'll take it from the top. - OK. 300 00:11:05,640 --> 00:11:08,165 "What about two, one, four, five?" 301 00:11:08,338 --> 00:11:10,800 - "Is that make-up?" - "I put on a little foundation." 302 00:11:16,473 --> 00:11:17,770 You look really handsome. 303 00:11:17,785 --> 00:11:19,042 That's great. That's much better. 304 00:11:19,120 --> 00:11:20,627 This must be really hard for you. 305 00:11:21,840 --> 00:11:23,635 - How do you mean? - You know, 306 00:11:24,178 --> 00:11:26,495 reading these same scenes over and over again, 307 00:11:26,785 --> 00:11:28,576 just seeing a parade of people 308 00:11:28,600 --> 00:11:31,359 just playing versions of your best friend. 309 00:11:31,360 --> 00:11:32,960 He's not my best friend. 310 00:11:33,920 --> 00:11:35,399 Oh, I'm sorry. I thought... 311 00:11:35,400 --> 00:11:37,191 I have a friend in New York. 312 00:11:37,760 --> 00:11:38,880 Still... 313 00:11:39,960 --> 00:11:41,759 ..strange, with all due respect. 314 00:11:41,760 --> 00:11:44,018 I mean, if I were you, I'd be acting out. 315 00:11:44,120 --> 00:11:45,710 I'd... Snapping, 316 00:11:45,827 --> 00:11:48,519 you know, just shouting at birds... 317 00:11:48,720 --> 00:11:49,839 No-one does that. 318 00:11:49,915 --> 00:11:53,892 screaming about my deepest fears 319 00:11:53,893 --> 00:11:54,961 with this dude. 320 00:11:54,986 --> 00:11:56,397 He just doesn't get it. 321 00:11:56,480 --> 00:11:58,290 You know, I watch this 322 00:11:58,407 --> 00:12:00,484 and you're the angel, 323 00:12:00,600 --> 00:12:03,162 and he is just... doesn't 324 00:12:03,366 --> 00:12:04,987 see your brightness. 325 00:12:05,012 --> 00:12:06,636 It's just like, you know, 326 00:12:07,027 --> 00:12:08,411 it's like... Michael, you know, 327 00:12:08,450 --> 00:12:09,816 I'm jealous of your greatness. 328 00:12:09,840 --> 00:12:11,615 You know, how can I be as great as you? 329 00:12:11,731 --> 00:12:13,793 You know, I don't have your range, innit? 330 00:12:13,855 --> 00:12:15,239 I'm just not as great. 331 00:12:15,340 --> 00:12:16,683 Well, don't compare yourself, 332 00:12:16,722 --> 00:12:19,199 it's not a competition. You know, this is not... 333 00:12:19,200 --> 00:12:21,161 It's not Britain's Got Talent, innit? 334 00:12:21,186 --> 00:12:23,439 I didn't say it's Britain's Got Talent. It's... 335 00:12:23,440 --> 00:12:25,553 I want, you know, I just want what you have. 336 00:12:25,725 --> 00:12:26,837 I want you! 337 00:12:26,920 --> 00:12:28,559 I want what you have, you know. 338 00:12:28,560 --> 00:12:30,599 You know, give me what I want, innit? 339 00:12:30,600 --> 00:12:32,485 It's, like, it's not like that. 340 00:12:32,493 --> 00:12:34,581 It's just, you know, acting is energy, 341 00:12:34,612 --> 00:12:36,247 it's like a ball of energy. 342 00:12:36,309 --> 00:12:38,199 You're just playing, you're just tossing it back and forth, 343 00:12:38,200 --> 00:12:39,239 back and forth, innit? 344 00:12:39,240 --> 00:12:40,175 It's not about that. 345 00:12:40,206 --> 00:12:41,903 It's about having the biggest ball 346 00:12:41,934 --> 00:12:43,319 and the brightest energy! 347 00:12:43,320 --> 00:12:45,267 Fuck you! Fuck you! 348 00:12:45,378 --> 00:12:47,216 Fuck you, innit? 349 00:12:47,526 --> 00:12:49,428 Fuck you, innit? 350 00:12:49,680 --> 00:12:50,605 I've got to say, 351 00:12:50,636 --> 00:12:52,247 it just feels like we're going against the spirit. 352 00:12:52,272 --> 00:12:54,497 No, come on, this is good. This is much better. Focus in. 353 00:12:54,567 --> 00:12:56,036 Don't, don't, don't lose it. 354 00:12:56,107 --> 00:12:57,816 - Pick it up. I'll pick it up. - OK. 355 00:12:57,966 --> 00:13:00,479 - "I'm feeling inert." - "You're not feeling inert." 356 00:13:00,480 --> 00:13:01,719 "Well, maybe I am." 357 00:13:01,720 --> 00:13:04,212 Well, if you're feeling inert, then... 358 00:13:05,200 --> 00:13:06,439 why? 359 00:13:06,440 --> 00:13:08,009 I move through time 360 00:13:08,103 --> 00:13:10,429 like a dust mote, floating, 361 00:13:10,701 --> 00:13:11,710 present... 362 00:13:11,906 --> 00:13:13,599 but entirely without impact. 363 00:13:35,040 --> 00:13:37,894 I can see that you're grieving. 364 00:13:38,480 --> 00:13:39,840 I'm fine. 365 00:13:41,440 --> 00:13:43,061 You're not fine. 366 00:13:43,360 --> 00:13:44,680 Yeah, I'm fine. 367 00:13:48,485 --> 00:13:50,565 You're not fine. 368 00:13:55,920 --> 00:13:57,080 No. 369 00:13:59,960 --> 00:14:02,303 Michael, you're going through something profound. 370 00:14:02,600 --> 00:14:04,935 Now, we all identify ourselves 371 00:14:05,248 --> 00:14:06,552 in our reflections, 372 00:14:06,873 --> 00:14:09,269 how people see us. 373 00:14:10,200 --> 00:14:11,948 And your other person 374 00:14:12,385 --> 00:14:14,271 isn't seeing you. 375 00:14:22,229 --> 00:14:23,829 You are so right. 376 00:14:25,000 --> 00:14:26,160 I miss... 377 00:14:27,920 --> 00:14:31,014 people getting too close to me. 378 00:14:31,160 --> 00:14:32,880 Endless buffets. 379 00:14:48,160 --> 00:14:49,605 Using that. 380 00:14:57,560 --> 00:15:00,080 Michael's being insufferable! 381 00:15:05,569 --> 00:15:09,635 www.subtitulamos.tv