1 00:00:00,133 --> 00:00:02,500 *CREDITS* 2 00:00:02,562 --> 00:00:05,765 I had a dream about you last night. 3 00:00:05,800 --> 00:00:06,895 Oh, yeah? 4 00:00:07,276 --> 00:00:09,441 That doesn't seem to worry you. 5 00:00:09,477 --> 00:00:10,682 Not uncommon. 6 00:00:10,718 --> 00:00:12,549 - What? - Happens all the time. 7 00:00:13,520 --> 00:00:15,146 - Not to me. - No? 8 00:00:15,561 --> 00:00:19,565 No, I can confidently say I have, I've never dreamt about you before. 9 00:00:19,600 --> 00:00:20,685 Never, ever? 10 00:00:20,720 --> 00:00:21,722 No! 11 00:00:22,680 --> 00:00:24,645 - Missing out. - Why, do you dream about me? 12 00:00:24,680 --> 00:00:26,080 Yeah, all the time. 13 00:00:28,720 --> 00:00:31,356 So in this dream, erm, 14 00:00:31,720 --> 00:00:33,685 I was... I was in the theatre... 15 00:00:33,720 --> 00:00:36,125 - Of course you were, love. - I was on the stage... 16 00:00:36,160 --> 00:00:38,285 - Of course you were! - ...alone, 17 00:00:38,320 --> 00:00:41,138 and the lights were shining on my face, 18 00:00:41,174 --> 00:00:43,019 so I... I couldn't see the auditorium, 19 00:00:43,055 --> 00:00:45,572 I couldn't... couldn't see if there was anyone out there, 20 00:00:46,120 --> 00:00:49,644 and suddenly this idea occurred to me. 21 00:00:49,800 --> 00:00:51,276 Speak, 22 00:00:51,560 --> 00:00:54,720 and the room will answer. 23 00:00:55,960 --> 00:00:59,445 So I spoke, but the voice that came out was different. 24 00:00:59,480 --> 00:01:01,725 - Whose voice was it? - What? No, it was still my voice. 25 00:01:01,760 --> 00:01:03,405 It was... It was just that it had changed. 26 00:01:03,440 --> 00:01:05,605 It was like I'd inhaled helium. 27 00:01:05,640 --> 00:01:07,325 And did the room answer? 28 00:01:07,360 --> 00:01:08,910 They brought the house lights up, 29 00:01:08,946 --> 00:01:10,845 and the theatre was empty, 30 00:01:10,880 --> 00:01:12,045 except for you. 31 00:01:12,080 --> 00:01:14,085 You were watching, alone. 32 00:01:14,120 --> 00:01:15,205 And what did I say? 33 00:01:15,240 --> 00:01:20,353 Happy the man whose wish and care a few paternal acres bound, 34 00:01:20,389 --> 00:01:24,625 content to breathe his native air in his own ground. 35 00:01:24,760 --> 00:01:26,000 Did I write that? 36 00:01:27,200 --> 00:01:29,125 No, it, no, it was in my dream. 37 00:01:29,160 --> 00:01:30,485 So what does it mean, then? 38 00:01:30,520 --> 00:01:32,445 That I'm pining for a bigger audience. 39 00:01:32,480 --> 00:01:33,725 And what about the poem? 40 00:01:33,760 --> 00:01:36,135 That I should be happy at home. 41 00:01:36,171 --> 00:01:37,351 Are you not? 42 00:01:41,320 --> 00:01:42,680 I'm trying. 43 00:01:43,960 --> 00:01:45,347 I feel fantastic. 44 00:01:45,383 --> 00:01:46,327 That's great. 45 00:01:46,363 --> 00:01:48,035 Yeah, I mean, the situation is horrific. 46 00:01:48,071 --> 00:01:49,210 - Sure. - Globally. 47 00:01:49,246 --> 00:01:50,342 Yeah, no, I understand. 48 00:01:50,378 --> 00:01:52,765 But the time, the time is a gift. 49 00:01:52,800 --> 00:01:54,920 Such a... such a great way of looking at it. 50 00:01:55,120 --> 00:01:56,893 - Have you read Ulysses? - James Joyce? 51 00:01:56,929 --> 00:01:57,932 - Yeah. - No. 52 00:01:58,279 --> 00:02:00,205 - Twice. - You've read Ulysses twice? 53 00:02:00,240 --> 00:02:01,885 Yep. About to go for a third. 54 00:02:01,920 --> 00:02:03,085 That's amazing. 55 00:02:03,120 --> 00:02:07,125 Oh, er, er, Lucy, this is, er, this is Adrian Lester. 56 00:02:07,160 --> 00:02:08,805 - Oh, hi. - Hi. Hiya. 57 00:02:08,840 --> 00:02:10,605 Er, Adrian, this is my sister, Lucy. 58 00:02:10,640 --> 00:02:11,765 Lovely to meet you. 59 00:02:11,800 --> 00:02:14,005 - Yeah, you too. - We were just discussing Ulysses. 60 00:02:14,040 --> 00:02:17,125 - Have you read it, Lucy? - Oh, God, yeah, twice. 61 00:02:17,160 --> 00:02:19,125 - Oh, me too! - Oh, it's sublime. 62 00:02:19,160 --> 00:02:20,605 Yeah, I'm about to go for a third. 63 00:02:20,640 --> 00:02:22,044 - Oof, magical! - Hm. 64 00:02:22,080 --> 00:02:23,604 How are you coping through this? 65 00:02:23,640 --> 00:02:25,090 Just keeping an eye on this one, really. 66 00:02:25,125 --> 00:02:26,004 Fantastic. 67 00:02:26,040 --> 00:02:28,331 - Yeah, we're managing all right. - Yeah. Oh, here's Michael. 68 00:02:28,800 --> 00:02:30,765 - I'll leave you to it. - OK. Lovely to meet you. 69 00:02:30,800 --> 00:02:31,840 Yeah, you too. 70 00:02:33,320 --> 00:02:34,817 - She's lovely. - Oh, she is. 71 00:02:34,852 --> 00:02:36,716 - Er, happy for me to bring in Michael? - Yeah, yeah, course. 72 00:02:36,751 --> 00:02:38,485 Oh, er, so they don't know you're here. 73 00:02:38,520 --> 00:02:40,805 Erm, I mean, they'll know who you are, obviously, 74 00:02:40,840 --> 00:02:43,285 but I think I will just introduce you as a new cast member, 75 00:02:43,320 --> 00:02:44,488 and then you can... 76 00:02:44,737 --> 00:02:45,822 talk me up a bit? 77 00:02:46,001 --> 00:02:47,856 Er, is there actually a part for me? 78 00:02:48,269 --> 00:02:49,243 Sure. 79 00:02:49,278 --> 00:02:51,485 Because the next roles seem to be, erm, 80 00:02:51,521 --> 00:02:53,243 the mother and stepdaughter. 81 00:02:53,279 --> 00:02:54,444 Er, here's Michael. 82 00:02:57,040 --> 00:03:00,040 - Michael? - Can't find my fucking script! 83 00:03:02,600 --> 00:03:03,805 Has it been going well? 84 00:03:03,840 --> 00:03:05,563 Really well. Yeah, seamless. 85 00:03:05,599 --> 00:03:07,324 Where the fuck is it? 86 00:03:07,360 --> 00:03:09,319 It's an unusual set of circumstances, obviously. 87 00:03:10,120 --> 00:03:13,688 Fuck! I just... I can't find it anywhere. 88 00:03:13,724 --> 00:03:16,929 You'll just have to feed me the lines and I'll try and keep up. 89 00:03:16,965 --> 00:03:19,080 - Hi, Michael. - Michael, do you know Adrian? 90 00:03:21,035 --> 00:03:22,120 Adrian? 91 00:03:22,156 --> 00:03:24,481 Adrian. Hi. 92 00:03:24,560 --> 00:03:25,725 Adrian! 93 00:03:25,760 --> 00:03:27,885 Oh, my God, of course! I'm so sorry. 94 00:03:27,920 --> 00:03:28,623 No, not a problem. 95 00:03:28,658 --> 00:03:30,685 I just thought... I thought he could join the cast. 96 00:03:30,720 --> 00:03:32,000 Lovely! 97 00:03:32,214 --> 00:03:34,405 - How are you? - Good. Great. 98 00:03:34,440 --> 00:03:35,480 Fine. 99 00:03:36,560 --> 00:03:37,645 - You? - Oh, I'm fantastic. 100 00:03:37,680 --> 00:03:40,245 - Oh, well, that's great. - Adrian's been reading Ulysses. 101 00:03:40,280 --> 00:03:42,052 - Er, twice. - Well, it's a tough book. 102 00:03:43,320 --> 00:03:45,520 - Here's David, too. - Oh, bring him in. 103 00:03:47,920 --> 00:03:50,005 Simon says it's been going well. 104 00:03:50,040 --> 00:03:51,045 Oh. 105 00:03:51,080 --> 00:03:53,285 Well, David's a wonderful collaborator. 106 00:03:53,320 --> 00:03:55,405 My script has completely vanished. 107 00:03:55,440 --> 00:03:56,725 Very focused. 108 00:03:56,760 --> 00:03:58,525 I mean, if it was anything of any value, 109 00:03:58,560 --> 00:04:01,165 I'd just assumed the kids had taken it, but it's just a shit play. 110 00:04:01,200 --> 00:04:02,845 Yeah, David, do you know Adrian Lester? 111 00:04:02,880 --> 00:04:05,365 Oh, Jesus. Adrian Lester? Fucking hell. 112 00:04:05,400 --> 00:04:06,605 Yeah, no, he's... He's here. 113 00:04:06,640 --> 00:04:08,805 He's here now, on the call, with Simon, right now. 114 00:04:08,840 --> 00:04:10,165 Oh, there he is! 115 00:04:10,200 --> 00:04:12,710 - Ha, hello, David. - Hey, Adrian! How are you doing? 116 00:04:12,746 --> 00:04:14,244 Erm, I'm fantastic. 117 00:04:14,280 --> 00:04:16,644 - I thought Adrian could join our cast. - Great. 118 00:04:16,680 --> 00:04:18,055 He and I've worked together before, so... 119 00:04:18,091 --> 00:04:18,781 Brilliant. 120 00:04:18,817 --> 00:04:20,413 I just thought we could flesh this cast out a little bit. 121 00:04:20,449 --> 00:04:21,257 Absolutely. 122 00:04:22,140 --> 00:04:25,385 Er, have you, have read Ulysses, David? 123 00:04:25,421 --> 00:04:27,285 - No, never. - No? Adrian's read it twice. 124 00:04:27,320 --> 00:04:29,565 Well, I imagine it's quite hard to understand 125 00:04:29,600 --> 00:04:30,824 the first time through, isn't it? 126 00:04:30,860 --> 00:04:33,840 Simon, would you just email me the script again, please? 127 00:04:33,876 --> 00:04:35,680 Er, er, yeah, I'd have to use the other computer. 128 00:04:35,716 --> 00:04:37,156 That's be great, thanks. 129 00:04:40,760 --> 00:04:42,240 - I'll be right back. - OK. 130 00:04:44,360 --> 00:04:46,578 Oh, I'm really excited to be working with you both. 131 00:04:46,960 --> 00:04:48,485 Simon's great, isn't he? He's... 132 00:04:48,520 --> 00:04:50,605 Michael's feeling about blue about the project. 133 00:04:50,640 --> 00:04:53,364 Er, I mean, I'd say David was struggling more. 134 00:04:53,400 --> 00:04:56,130 - Is that right? - Yeah, he's trying to write something. 135 00:04:56,166 --> 00:04:59,211 - Yeah, nearly finished, actually. - Yeah, but it's been very tough. 136 00:04:59,247 --> 00:05:01,085 Oh, yeah, the creative process can be very tricky. 137 00:05:01,121 --> 00:05:03,245 And Georgia is better at it than he is, so... 138 00:05:03,281 --> 00:05:04,237 Ah... 139 00:05:04,273 --> 00:05:05,565 You should speak to Simon about it, because... 140 00:05:05,600 --> 00:05:07,765 - Michael's neighbour's gone missing. - Missing? 141 00:05:07,800 --> 00:05:10,057 Under suspicious circumstances. 142 00:05:10,680 --> 00:05:12,485 I... Well, I haven't killed her or anything. 143 00:05:12,520 --> 00:05:14,645 I mean, she's just not answering the door. 144 00:05:14,680 --> 00:05:16,485 But that... that must be frightening. 145 00:05:16,520 --> 00:05:18,685 Georgia's birthing a child. 146 00:05:18,720 --> 00:05:21,125 - Whoa, you're having another one? - With another woman. 147 00:05:21,160 --> 00:05:23,165 - Yeah. - Well, that's... that's modern. 148 00:05:23,200 --> 00:05:24,480 She's helping a friend. 149 00:05:26,080 --> 00:05:27,405 So, how are rehearsals going? 150 00:05:27,440 --> 00:05:29,765 Well, I mean, Michael's finding it quite hard to focus. 151 00:05:29,800 --> 00:05:32,485 He's started having dark, upsetting dreams, really deep, 152 00:05:32,520 --> 00:05:35,296 - weird, sort of disturbing dreams. - Wow, really? Me too. 153 00:05:35,331 --> 00:05:36,245 Really? 154 00:05:36,280 --> 00:05:38,288 Yeah, yeah. Most nights. 155 00:05:38,351 --> 00:05:39,684 Am I in your dreams? 156 00:05:39,720 --> 00:05:40,720 No. 157 00:05:41,200 --> 00:05:44,245 David keeps popping up in the collective subconscious, 158 00:05:44,280 --> 00:05:47,404 uninvited, like a sort of Highland whack-a-mole. 159 00:05:47,440 --> 00:05:49,205 You've just got to... 160 00:05:49,240 --> 00:05:51,447 You know, I was in the theatre in mine. 161 00:05:51,760 --> 00:05:52,939 Me too! 162 00:05:53,640 --> 00:05:56,805 - What, on stage? - Yes! Did we have the same dream? 163 00:05:56,840 --> 00:05:58,725 - Well, could you speak in yours? - No, no. 164 00:05:58,760 --> 00:06:00,765 I just had a sort of weird, high-pitched sound. 165 00:06:00,800 --> 00:06:02,245 Yes! Yes! 166 00:06:02,280 --> 00:06:04,085 So, in mine, I was lying on the stage, 167 00:06:04,120 --> 00:06:06,285 and I was... I was trying to scream, you know, 168 00:06:06,320 --> 00:06:07,845 get a sound out, and I couldn't, 169 00:06:07,880 --> 00:06:11,285 so I started twisting and turning and trying to scream, 170 00:06:11,320 --> 00:06:14,645 and then, and then these ropes came out of nowhere, 171 00:06:14,680 --> 00:06:16,365 and they were covered in oil, I think, 172 00:06:16,400 --> 00:06:19,325 and they were wrapping around me, wrapped around me really tight, 173 00:06:19,360 --> 00:06:21,285 and I couldn't move, and the audience, 174 00:06:21,320 --> 00:06:24,005 they started shouting, "Throw him to the bears!" 175 00:06:24,040 --> 00:06:25,925 - That's vivid. - Yeah. Maybe it was honey. 176 00:06:25,960 --> 00:06:29,685 Maybe it was honey. Not oil, on the ropes, honey, for the bears. 177 00:06:29,720 --> 00:06:31,045 And what did you do? 178 00:06:31,080 --> 00:06:33,805 Fought them, with my hands and my teeth, just... 179 00:06:33,840 --> 00:06:36,325 Yeah, sure, but I meant more in real life. 180 00:06:36,360 --> 00:06:40,361 Oh, well, I spoke to my, er, I spoke to my life coach about it. 181 00:06:40,397 --> 00:06:41,882 Great. What did he say? 182 00:06:41,918 --> 00:06:44,325 Well, he told me that it was connected 183 00:06:44,360 --> 00:06:46,205 to a repressed feeling of... 184 00:06:46,240 --> 00:06:47,843 of powerlessness. 185 00:06:47,879 --> 00:06:50,999 - What did he suggest? - He told me to just ignore it. 186 00:06:52,440 --> 00:06:55,525 Yeah, just... just breathe it in, 187 00:06:55,560 --> 00:06:57,285 breathe it out. 188 00:06:57,320 --> 00:06:59,325 - Did it work? - Yeah, yeah, it did, actually. 189 00:06:59,360 --> 00:07:00,405 It did, yeah. 190 00:07:00,440 --> 00:07:01,965 So now, whenever I feel, 191 00:07:02,200 --> 00:07:06,045 you know, sad, or angry, or powerless, 192 00:07:06,080 --> 00:07:08,725 I just, er, just ignore it. 193 00:07:08,760 --> 00:07:09,990 How? 194 00:07:10,200 --> 00:07:11,365 Just... 195 00:07:12,960 --> 00:07:14,000 ignore it. 196 00:07:18,000 --> 00:07:20,493 Or... or sometimes I go for a little run. 197 00:07:20,529 --> 00:07:21,822 When you're down? 198 00:07:21,943 --> 00:07:23,724 - Yeah, that's right. - How far do you run? 199 00:07:23,760 --> 00:07:25,733 About 20 miles a day. 200 00:07:26,146 --> 00:07:28,066 Wow. That's a lot. 201 00:07:28,102 --> 00:07:30,405 It just gives me time to be alone, you know, with my thoughts. 202 00:07:30,480 --> 00:07:32,006 Well, it's nice to have company. 203 00:07:35,600 --> 00:07:37,642 - What are you doing? - Shh. 204 00:07:38,160 --> 00:07:40,432 I'm emailing a script to David. 205 00:07:41,600 --> 00:07:43,117 You're snooping! 206 00:07:43,153 --> 00:07:44,793 I'm not snooping. 207 00:07:48,160 --> 00:07:49,965 Did you bring Adrian in just to talk you up? 208 00:07:50,000 --> 00:07:52,521 No. There were other things. 209 00:07:56,802 --> 00:07:59,400 - What's he saying? - I can't hear if you keep talking. 210 00:08:03,080 --> 00:08:04,680 He likes you, doesn't he? 211 00:08:08,880 --> 00:08:10,440 Oh, shh, shh, shh, shh... 212 00:08:12,925 --> 00:08:14,878 What do you think he's saying about me? 213 00:08:19,000 --> 00:08:21,205 and I'm eating well, as well, you know, 214 00:08:21,240 --> 00:08:24,605 spending more time with my family, reconnecting with my roots. 215 00:08:24,640 --> 00:08:27,005 Yeah, I thought I could detect a little bit of... 216 00:08:27,040 --> 00:08:28,925 hum of an accent in there. 217 00:08:28,960 --> 00:08:31,725 Oh, what, can you... can you actually hear it? 218 00:08:31,760 --> 00:08:34,445 - Yeah! - Very, very subtle. 219 00:08:34,480 --> 00:08:36,005 Yeah. It's not a conscious thing. 220 00:08:36,040 --> 00:08:37,624 No, of course not, no. 221 00:08:37,840 --> 00:08:40,685 Have either of you two read The Inner Voice? 222 00:08:40,720 --> 00:08:41,725 - No. - Twice. 223 00:08:41,760 --> 00:08:45,125 It's about the artifice of acting. 224 00:08:45,160 --> 00:08:47,165 - Great. - It's about the artifice of acting, 225 00:08:47,200 --> 00:08:50,525 and the freedom which comes from throwing off the mask 226 00:08:50,560 --> 00:08:55,491 of an RP accent, and embracing a true inner voice. 227 00:08:55,527 --> 00:08:58,092 - That sounds fucking brilliant. - Mm, isn't it? 228 00:08:58,128 --> 00:09:01,125 Cos Shakespeare, right, was from Birmingham. 229 00:09:01,160 --> 00:09:03,645 Was he? I mean, a bit down the road, but... 230 00:09:03,680 --> 00:09:08,925 We are such stuff as dreams are made on 231 00:09:09,108 --> 00:09:13,381 and our little life is rounded with a sleep. 232 00:09:14,720 --> 00:09:17,724 And that's Shakespeare. 233 00:09:17,760 --> 00:09:20,005 Have either of you two thought about, you know, 234 00:09:20,040 --> 00:09:21,965 leaning into your own true voice? 235 00:09:22,000 --> 00:09:23,325 I didn't think I wasn't. 236 00:09:23,360 --> 00:09:26,125 - Oh, well, Mike, if I may... - Oh, you may, yeah. 237 00:09:26,160 --> 00:09:28,285 you speak, and the sound that emerges, it's... 238 00:09:28,320 --> 00:09:31,925 Oh, it's... it's unfiltered, you know? Raw. 239 00:09:31,960 --> 00:09:33,523 Like, like... 240 00:09:33,760 --> 00:09:36,005 Watch. 241 00:09:36,120 --> 00:09:38,120 This above all, 242 00:09:38,400 --> 00:09:41,304 to thine own self be true. 243 00:09:42,840 --> 00:09:44,685 Huh? Could you... could you feel that? 244 00:09:44,720 --> 00:09:46,405 Have a go. Go on, have a go. 245 00:09:46,440 --> 00:09:47,747 - Dave. - Thanks. 246 00:09:47,783 --> 00:09:48,814 Erm... 247 00:09:49,120 --> 00:09:51,430 To thine own self be true. 248 00:09:51,880 --> 00:09:53,365 That's great, 249 00:09:53,400 --> 00:09:54,645 but, 250 00:09:54,680 --> 00:09:55,885 a little less RP. 251 00:09:55,920 --> 00:09:59,085 - I wasn't doing RP! - Just a little less RP, Dave. 252 00:09:59,120 --> 00:10:01,085 - I'm from Paisley! - Trust me, trust me. Go on. 253 00:10:01,120 --> 00:10:02,165 Trust him. 254 00:10:02,200 --> 00:10:04,525 To thine own self be t-rue. 255 00:10:04,560 --> 00:10:05,685 Yes! Michael? 256 00:10:05,880 --> 00:10:09,565 To thine own self be true. 257 00:10:09,600 --> 00:10:10,605 Yes, Dave. 258 00:10:10,640 --> 00:10:12,426 To thine own self be true! 259 00:10:12,461 --> 00:10:13,045 More. 260 00:10:13,080 --> 00:10:15,045 To thy own self be true! 261 00:10:15,080 --> 00:10:17,845 - To thine own self be true! - Ya bampot! 262 00:10:17,880 --> 00:10:21,885 To thine own self be true! 263 00:10:21,920 --> 00:10:23,165 Huh! Oh, right... 264 00:10:23,200 --> 00:10:25,445 To thine own shelf be true. 265 00:10:25,480 --> 00:10:26,520 Is... 266 00:10:27,920 --> 00:10:29,805 - ...is he all right? - Yeah, he's fine. 267 00:10:29,840 --> 00:10:31,925 You know, with the hair and the beard, 268 00:10:31,960 --> 00:10:33,880 - he just looks a bit... - What? 269 00:10:33,916 --> 00:10:35,645 - Wild. - Nah, he's fine. 270 00:10:35,680 --> 00:10:36,786 OK. 271 00:10:37,107 --> 00:10:39,000 And what about you? 272 00:10:39,462 --> 00:10:40,791 Are you all right? 273 00:10:40,954 --> 00:10:43,045 I mean, you could talk to Simon about these things, cos he's... 274 00:10:43,080 --> 00:10:44,252 The thing about Michael is 275 00:10:44,560 --> 00:10:45,992 he feels helpless, 276 00:10:46,520 --> 00:10:49,045 and it's sobering, cos, you know, you reach the top of the tree, 277 00:10:49,080 --> 00:10:51,485 and then the world changes all around you, 278 00:10:51,520 --> 00:10:53,501 and you find you can't help any more. 279 00:10:53,680 --> 00:10:54,720 You're just... 280 00:10:56,480 --> 00:10:59,210 you're sat at home, spelling words backwards in your head. 281 00:10:59,994 --> 00:11:03,816 - What, is he doing that? - All the time, yeah. 282 00:11:04,200 --> 00:11:06,565 You just stop feeling useful, don't you? 283 00:11:06,600 --> 00:11:08,400 You know, the theatres close, 284 00:11:08,920 --> 00:11:11,765 the audiences go away. The roles dry up. 285 00:11:12,057 --> 00:11:14,118 You've got nothing to offer. 286 00:11:14,440 --> 00:11:18,140 You're just sat looking out a window and twiddling your thumbs, hoping... 287 00:11:19,467 --> 00:11:20,987 it's all going to be all right. 288 00:11:26,980 --> 00:11:31,020 - I'm going to go for a run. - Sure. 289 00:11:39,010 --> 00:11:42,175 - Found the script. - Where was it? 290 00:11:42,577 --> 00:11:44,285 I threw it in the bin last night. 291 00:11:44,320 --> 00:11:47,200 - The bin! - Where's Adrian? 292 00:11:49,041 --> 00:11:50,515 Gone for a run. 293 00:11:56,653 --> 00:11:59,157 - Where's Adrian? - Gone for a run. 294 00:12:10,036 --> 00:12:11,918 _ 295 00:12:16,700 --> 00:12:17,960 Hi. 296 00:12:34,280 --> 00:12:36,200 The Magic Tree by... 297 00:12:43,360 --> 00:12:46,563 - Oh, hi. - Oh, hello. 298 00:12:47,520 --> 00:12:49,285 - How did it go? - Fine, yeah. 299 00:12:49,320 --> 00:12:51,076 - She had a girl. - Nice. 300 00:12:51,111 --> 00:12:51,838 Helen. 301 00:12:51,874 --> 00:12:52,925 - Very nice. - Mm. 302 00:12:52,960 --> 00:12:54,845 - You all right? - Yeah, fine. 303 00:12:54,880 --> 00:12:56,965 The, um, the house appears to still be standing. 304 00:12:57,000 --> 00:12:59,525 - I'm sensing your surprise. - Well, I'm not trying to hide it. 305 00:12:59,560 --> 00:13:01,445 - Well, that takes some of the fun away. - Mm. 306 00:13:01,480 --> 00:13:03,205 I did listen outside the kids' doors. 307 00:13:03,240 --> 00:13:05,325 - Online lessons? - That's right. 308 00:13:05,360 --> 00:13:07,525 Did you try and teach them at all yourself? 309 00:13:07,560 --> 00:13:09,405 - I did. Yeah. - Yeah. And how did that go? 310 00:13:09,440 --> 00:13:11,685 I realised that I am alarmingly ill-informed 311 00:13:11,720 --> 00:13:13,645 on every subject under the sun. 312 00:13:13,680 --> 00:13:15,548 Yeah, well, that is true. 313 00:13:16,560 --> 00:13:18,502 Wish I didn't feel so helpless. 314 00:13:18,848 --> 00:13:20,439 Is the writing not going very well? 315 00:13:21,560 --> 00:13:24,165 - Actually, I've finished the screenplay. - Ooh. 316 00:13:24,200 --> 00:13:25,541 - So, yeah. - Can I read it? 317 00:13:25,576 --> 00:13:26,365 No, you can't. 318 00:13:26,400 --> 00:13:28,485 - Why not? - Because it might be shit. 319 00:13:28,520 --> 00:13:30,397 Well, I'm sure I could help. 320 00:13:31,696 --> 00:13:35,148 It's already in your inbox, I sent it an hour ago. 321 00:13:35,184 --> 00:13:36,662 Oh, exciting. 322 00:13:37,040 --> 00:13:40,285 - Oh, Behind Windows. - Do you like it? 323 00:13:40,320 --> 00:13:42,466 - Bit wanky. - Oh, come on. You can't say that. 324 00:13:42,501 --> 00:13:43,205 Oh, I can. 325 00:13:43,240 --> 00:13:45,751 - You don't even know what's in it yet. - What's in it, then? 326 00:13:47,132 --> 00:13:49,741 You know, lots of... things. 327 00:13:50,600 --> 00:13:52,285 Well, it sounds excellent. 328 00:13:52,320 --> 00:13:54,645 - Oh, fuck off back to the hospital. - Oh, OK, maybe I will. 329 00:13:54,680 --> 00:13:57,365 - But read my screenplay first. - Yeah, sure. I will 330 00:13:57,400 --> 00:13:59,205 but I'm going to phone Anna first. 331 00:13:59,240 --> 00:14:02,405 OK? And also take that. 332 00:14:02,440 --> 00:14:05,130 Oh, lovely. Well, I'm glad you've got your priorities right. 333 00:14:05,165 --> 00:14:05,845 OK. 334 00:14:05,880 --> 00:14:07,480 - See you later. - See you. 335 00:14:21,668 --> 00:14:23,553 Hi. Sorry, I'm just going to minimise you 336 00:14:23,589 --> 00:14:26,735 - while I'll look something up, OK? - OK. 337 00:14:26,771 --> 00:14:30,086 - You all right? - Yeah, just one minute. 338 00:14:59,795 --> 00:15:02,225 - Hi, Michael. - Jesus Christ! 339 00:15:02,800 --> 00:15:06,725 - Um, Georgia. - Hi. 340 00:15:06,760 --> 00:15:09,685 Sorry, I didn't know you were in there, you know. 341 00:15:09,720 --> 00:15:11,984 - You all right? - Yeah. Just a sec. 342 00:15:18,640 --> 00:15:20,285 I was just calling to say that 343 00:15:20,320 --> 00:15:22,039 I've just got back from the hospital. 344 00:15:22,520 --> 00:15:25,434 - Oh, how did it go? - Yeah. Really well, she, um... 345 00:15:25,920 --> 00:15:28,994 She had a girl. Called her Helen. 346 00:15:33,579 --> 00:15:34,605 It's weird in hospitals 347 00:15:34,640 --> 00:15:36,220 at the moment because, you know. 348 00:15:36,440 --> 00:15:38,231 But they gave me gloves and masks 349 00:15:38,267 --> 00:15:39,551 and stuff, so it was... 350 00:15:42,897 --> 00:15:46,015 - Should I call back later? - No. Sorry. 351 00:15:47,080 --> 00:15:50,965 An ambulance just turned up at our neighbour's an hour or so ago. 352 00:15:51,000 --> 00:15:51,673 God. 353 00:15:51,708 --> 00:15:53,765 Yeah. I mean, we didn't see what was happening, 354 00:15:53,800 --> 00:15:55,525 but Michael tried to go out and ask 355 00:15:55,560 --> 00:15:58,045 and the paramedics just told him to go back inside. 356 00:15:58,080 --> 00:16:00,781 - Did you see her? - No, but... 357 00:16:02,285 --> 00:16:04,325 we saw stretcher being carried in. 358 00:16:04,360 --> 00:16:06,320 - OK, I'll get David. - Yep. 359 00:16:07,760 --> 00:16:11,702 Yeah, yeah. Still here. Yeah. Thank you. 360 00:16:12,560 --> 00:16:15,485 Um, er, I don't know. 361 00:16:15,520 --> 00:16:18,005 She's about five foot two. 362 00:16:18,040 --> 00:16:21,432 Um, grey hair, glasses. 363 00:16:22,590 --> 00:16:26,612 I'd say she's in her late-70s, early-80s maybe. 364 00:16:27,480 --> 00:16:29,765 No. Sorry. I don't know her surname. 365 00:16:29,800 --> 00:16:32,525 Her first name is Hannah, 366 00:16:32,703 --> 00:16:35,260 H-A-N-NAH. 367 00:16:36,268 --> 00:16:39,577 My name? Er, Michael Sheen. 368 00:16:40,799 --> 00:16:45,600 No, Michael. S-H-E-E-N. 369 00:16:47,837 --> 00:16:51,577 Yeah. Well, we all love Neil Gaiman. 370 00:16:52,272 --> 00:16:57,045 I know but could you... please just ask and see 371 00:16:57,080 --> 00:17:00,005 if you can find out? Let us know. I mean, someone must have ordered 372 00:17:00,040 --> 00:17:01,925 the ambulance, so we just want 373 00:17:01,960 --> 00:17:04,244 to know where she is and what's happening. 374 00:17:04,852 --> 00:17:06,177 Yes. Yes, I'll hold. 375 00:17:06,837 --> 00:17:08,644 - Sorry. - Do you know where they've taken her? 376 00:17:08,680 --> 00:17:10,840 No, we don't know but Michael's trying to find out. 377 00:17:10,876 --> 00:17:13,519 - Oh, this is like a bad dream. - No. It will be fine. 378 00:17:13,638 --> 00:17:14,525 It will be fine. 379 00:17:14,560 --> 00:17:15,962 Hello. Yes. 380 00:17:16,560 --> 00:17:18,645 No, sorry, I explained. I don't know her surname. 381 00:17:18,680 --> 00:17:20,210 Her first name's Hannah. 382 00:17:20,920 --> 00:17:22,234 She's... 383 00:17:23,160 --> 00:17:25,445 old, and on her own. 384 00:17:25,480 --> 00:17:27,227 Family's in Cardiff. 385 00:17:27,800 --> 00:17:30,045 No, I don't know where. Um... 386 00:17:30,080 --> 00:17:32,845 She runs an illegal neighbourhood watch from the CCTV camera 387 00:17:32,880 --> 00:17:36,725 mounted on her garage. She likes interracial soft-core 388 00:17:36,760 --> 00:17:38,485 pornographic literature. 389 00:17:38,680 --> 00:17:42,445 She's an angry, shitty, blackmailing little... 390 00:17:42,480 --> 00:17:48,000 Well, she makes a very bad bara brith and... she's kind. 391 00:17:59,581 --> 00:18:00,866 Sorry. 392 00:18:09,121 --> 00:18:12,195 Yeah. Yeah. OK. 393 00:18:14,288 --> 00:18:15,533 Thank you. 394 00:18:30,040 --> 00:18:31,645 Yeah, I know this isn't the best time. 395 00:18:31,680 --> 00:18:34,485 I just feel like the last time we talked about it... 396 00:18:34,520 --> 00:18:36,365 We were playing Battleships that time. 397 00:18:36,400 --> 00:18:41,205 we did decide that, um, I'd have my name 398 00:18:41,240 --> 00:18:43,357 first on the poster, Tenant, and then Sheen. 399 00:18:43,393 --> 00:18:46,885 I think that's what we said that we would have, um, sorry. 400 00:18:46,920 --> 00:18:50,125 I know this isn't great timing, but I've just been sent a draft 401 00:18:50,160 --> 00:18:53,495 of the poster. You'll have... I've sent it to you too. 402 00:18:54,507 --> 00:18:57,285 I mean, you won't have had time to look, probably, but... 403 00:18:57,320 --> 00:19:00,085 um, the... They want to announce. 404 00:19:00,120 --> 00:19:04,245 So they need approval on the... 405 00:19:04,280 --> 00:19:05,650 er, thing. I... 406 00:19:06,590 --> 00:19:08,485 Unfortunately, on the one they've mocked up, 407 00:19:08,520 --> 00:19:10,535 your name is actually first. 408 00:19:11,000 --> 00:19:13,085 So, um, sorry. 409 00:19:13,120 --> 00:19:15,605 This is really bad timing, but they need changes 410 00:19:15,640 --> 00:19:17,125 by the end of play today. 411 00:19:17,160 --> 00:19:20,125 So, do you mind if I just go back some tell him just to swap 412 00:19:20,160 --> 00:19:21,735 those names round? Just on the... 413 00:19:22,491 --> 00:19:24,372 So they're the right way round on the poster. 414 00:19:24,414 --> 00:19:28,674 Um... I'm happy to do that on both our behalves quickly, 415 00:19:28,728 --> 00:19:32,120 if that's OK. Or we could leave it as it is, just... 416 00:19:33,880 --> 00:19:35,040 Let's just leave it. 417 00:19:43,944 --> 00:19:47,173 We'll just leave it. We'll leave it. Don't worry about it. 418 00:19:49,969 --> 00:19:53,969 Sync & corrections by emeline-whovian www.addic7ed.com